Protection
‘Fucking mask wearers’ swore the elderly gent as he and his wife looked around the farm shop tea room. He meant me, and I’d have taken it more…
Category: Pollution
Shroud
‘The Sudarium of Oviedo, or Shroud of Oviedo, is a bloodstained piece of cloth measuring c. 84 x 53 cm (33 x 21 inches) kept in the Cámara Santa of the Cathedral of San…
Stranded Assets
Since the signing of the Paris Climate Agreement in 2015, HSBC has poured over $110bn into fossil fuel firms and projects. Valuations of fossil fuel companies include the…
Time
An excellent double edition of Time Magazine, given over to the climate crisis, features a photo of mine from London Fashion Week 2019. You can read the ‘One…
Climate in February
8th Feb. ‘BP Must Fall’ protest at the British Museum. BP sponsored the Troy exhibition at the BM. Protestors smuggled a trojan horse into the museum’s forecourt and…
Keepers
What do we keep and what do we cast out? Susi Arnott and I have been working with a portable daylight studio on the Thames foreshore, to produce…
Duck
Duck is a single screen 8.5 min, 16:9 ratio, film with stereo sound for gallery or cinema screening. The film emerges from our collaboration with Prof. Sofia Olhede…
Beasts of Burden
A trip to the Kathmandu Valley to photograph the human and animal workforce in brick kilns. Mules are bred in India and purchased there to work in Nepal’s…
Crossness Pumping Station Open Day
Sunday 23rd October was Open Day at the Crossness Pumping Station. The ‘Thames Tides’ installation, created by Susi Arnott and I, screened throughout the day alongside the mighty…
Thames Tides at Crossness Pumping Station
Thames Tides is screening alongside the beam engines at the ethereal Crossness Engine House. The huge building combines ponderous machinery and delicate filigree work to astonishing effect. Its function…