Beneath Dark House Walk in central London, a plastic duck is locked in a time-lapse selfie. On the rising tide, they’re lifted by the Thames and generate visual and audio readouts as they experience the river. Is that a fixed grin, or a Kuleshov experiment?
Meanwhile, a fixed observer watches them from above. And listens. And makes its own recordings. Frames of reference, timescales and data visualisation are juxtaposed in this composite film that plays with place, perception and point of view.
Originating from our work on tides with data scientist Prof. Sophia Olhede, this film combines the human compulsion to anthropomorphise with a random aesthetic and the plot of a picaresque novel. ‘She dreamed she was delivered of a tennis-ball, which the devil (who, to her great surprise, acted the part of a midwife) struck so forcibly with a racket that it disappeared in an instant; and she was for some time inconsolable for the lost of her offspring; when, all on a sudden, she beheld it return with equal violence, and enter the earth, beneath her feet’. From p.1 of ‘Roderick Random’ by Tobias Smollett, pub.1748.
Bobby and Stillman, our collaboration with mathematicians from UCL’s Big Data Institute is getting a long run at the UCL Science Library.
UCL Science Library, Malet Place, London WC1E 6BT 020 7679 7795
Monday to Friday 09:30 – 20:45, Saturdays 11:00 – 17:45
July 27th. – September 22nd. 2017
Susi and/or Crispin will be in the gallery on July 28th August 1st&2nd, 9th&10th, 19th, 23rd, 30th September 4th, 22nd.
Digital recordings are data, as well as pictures & sounds… UCL Science Library is screening immersive art; the tides in central London as subject matter for a series of films playing with time, space, sampling and perception. A collaboration between a film-maker, a photographer, and mathematicians from UCL’s Big Data Institute, using Eulerian & Lagrangian approaches to fluid dynamics – and touching on the uncertainty principle.
Thames Tides is screening alongside the beam engines at the ethereal Crossness Engine House. The huge building combines ponderous machinery and delicate filigree work to astonishing effect. Its function was to pump London’s sewage up above the level of the Thames and release it on an outgoing tide. What better place to screen Thames Tides?
Crossness Pumping Station
The Old Works, Thames Water S.T.W. Bazalgette Way, Abbey Wood, London SE2 9AQ
Sunday 23rd Oct. is an Open day from 10.30- 5pm (last admission 4pm). There is no need to book, visitors can just turn up. Ticket prices are £6 for adults and £2 for children under 16.
Friday 28th Oct. Public guided tour from 10am-1pm. Booking is required for this – through Eventbrite on the Crossness website. Cost is £12 and includes tea and biscuits.
Parking available outside site on Bazalgette Way. Walkers/cyclists gain access via the pedestrian access pathway – at end of Bazalgette Way on left BEFORE thames water security gate.
In the UK animal traction and haulage are things of the past – relegated to the heritage industry. In India draft animals play a key role in the modern economy. Aside from their use in agriculture, donkeys and mules are essential to the construction industry. The livelihoods of many thousands of marginalised families are reliant on the welfare and efficient functioning of their teams of donkeys and mules. These photo stories take a look at this industry.
India is experiencing a building boom to cope with its rapid urbanisation. Thousands of concrete-frame high rise blocks, with brick infill, can be seen rising up around Delhi and Mumbai. Almost every one of the millions of bricks involved has been transported by donkey or mule at the brick kilns where they are made. So how does it work?
Gurgaon, a city outside Delhi, India, is undergoing a boom in construction fuelled by the new Metro link and Delhi’s need for young professionals. Almost every brick in the country has been carried by donkeys during its manufacture. In Gurgaon they also work in lieu of cranes.
Around the world—in half a dozen countries, on five continents—HIV-positive people open their lives and share their stories. Through their own photographs, in their own voices, they teach the importance of compassion and the power of living a positive life. I am the photo-educator on this project, working with photographer Gideon Mendel and a team from UCLA led by Professor David Gere.